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On the right is how I've edited it in Lightroom. On the left is the unprocessed ProRaw file. It's a slower process, but the resulting quality is much higher.

I'll frequently spend half an hour or more on a single landscape image, and my product and car photographs may well take multiple hours of work.

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Some of you reading this might not love the idea of spending so much time editing a single image, but spending that time is common in professional photography to ensure an image comes out absolutely perfectly. The information has been captured however, which is how I've been able to lift the shadows in this example so well. It's difficult to say why this is, exactly, but it means that I've had to work a bit harder to get the image back to a 'good' place before I then start editing more creatively. I've noticed that ProRaw files that look good in the photo gallery suddenly look overly dark - or sometimes overly bright - when opened in Lightroom, as well as in some other editing apps like Snapseed.

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It's worth remembering, though, that I've been using ProRaw in beta form, and Adobe is yet to update Lightroom to properly support the files. It's certainly a big change from the untouched raw version. It gave me a great base image to adjust the color tones to get the finished shot you see here and it's a shot I'm really pleased with.

It looks way too dark.Д«ut after spending some time in Lightroom I've been able to bring back all of that detail, while still maintaining the bright sky. Take this unprocessed ProRaw file, for example, which I imported in Lightroom and then exported as a JPEG without any editing. ProRaw files, just like raw files from a DSLR, will need work and processing before they look their best. The straight-out-of-camera ProRaw file doesn't always look great and likely will look a lot worse than the JPEG version. But editing the shot was still around 15 minutes of work in Lightroom, so it's not the quickest way of working. I'm really pleased with how this image has turned out, and I could only have got it to this point by shooting in raw over JPEG. The ProRaw version gave me a lot more scope to control the vibrance of the sky, as well as the overall white balance and color tones. I've captured it here in JPEG and while the image looks decent enough, the vibrant sky looks a bit 'burnt in' and there's again a lot of sharpening in the image which overall doesn't give me a good base image for a proper edit. Clearly, it hasn't worked.ДЄ short time later the sky erupted in an incredible sunset. I've edited it with a moodier style that I really like - it might not be to everyone's tastes, but it shows that these edits on iPhone shots are possible.ДЄnd here's what happens if I copy those exact edit settings I made from the ProRaw image onto that JPEG.

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I've been able to keep those shadows darker, maintaining the evening mood, while also having full control to correct the white balance and add much less sharpening to avoid messing up the fine details on the image. Here's the same shot, taken a few seconds later in ProRaw and then edited in Lightroom. As a snap, it's fine, but it's not a good starting point for a more artistic edit. It's fine, but the shadows have been lifted to such an extent that a lot of the contrast and mood has gone and there's a lot of oversharpening. Let's start with this evening landscape shot in standard JPEG. On paper, it's the perfect compromise, and in practice it's proven to be so for many of my images. The result is a better-looking base image that still gives a lot more flexibility for editing than you'd get with JPEG images.

ProRaw works in much the same way, but unlike DNG raw files you can take in third-party apps, ProRaw makes use of Apple's computational photography for deep fusion HDR.

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They usually result in a more natural base image to postprocess in software such as Adobe Lightroom or Photoshop. They're called raw because unlike JPEG images they don't save information about color, sharpening or other effects applied by the camera.

ProRaw is Apple's version of the raw files that pros typically use on DSLRs.

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I shoot in raw all the time in my professional work, and Apple's ProRaw, even in its beta form, has allowed me to work with images from my iPhone exactly as I would with images from my pro DSLR. I'm a professional photographer, and I spent some time with ProRaw in beta form on the 12 Pro Max before it officially launched in iOS 14.3. The addition of ProRaw takes it further, though, and makes this phone camera an even bigger rival to professional DSLRs. Apple's iPhone 12 Pro Max has already proven itself to pack one of the best cameras it's possible to get on a phone.

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